WCL 27/1
West Coast Line 27/1 Spring 1993
Table of Contents
| Henry Tsang | Utter Jargon (corner inserts) |
| Wang Ping | Lipstick |
| Jacqueline Larson | Personal Accounts |
| David King | Two Stories |
| Sandra Edmunds | Interview with a Surgeon |
| Inglish: Writing with an Accent | |
| Michelle La Flamme | Two Poems |
| Fred Wah | Faking It |
| Robert Kroetsch | The Poetics of Rita Kleinhart |
| Aritha van Herk | Of Dykes and Boers and Drowning |
| Aruna Srivastava | Wielding Words |
| Ayanna Black | Writing with an Accent |
| Betsy Warland | the body the archive |
| Marie Annharte Baker | Borrowing Enemy Language: A First Nation Woman Use of English |
| Ashok Mathur | The Desisting Reader |
| Ana Chang | Recipe |
| Amy Jones and jil p. weaving | Period |
| damian lopes | Where I Dig Is Hard |
| Clo Laurencelle | Je me souviens |
| Kenna Fair | Visual Art |
| Pamela Banting | Robert Kroetsch’s Translation Poetics: Questions of Composition in the (Rosetta) "Stone and Hammer Poem" and Seed Catalogue |
| Emma Kivisild and Susan Hickey | Parsley, Sage, Rosemary and Time |
| Meredith Quartermain | Four Poems |
| Susan Edelstein | Sitting Shivah |
| Kent Lewis | Susan Howe’s Poetics of the Bibliography |
| Margot Leigh Butler | Pressed close, pulled tight |
| Stephen Lowy |
A Thainglish Collection of Poetry |
| Kathryn MacLeod | Self Defense |
| Eric Bontogon | F.O. |
| T.V |