WCL 32/2-3

West Coast Line 32/2-3 Fall / Winter 1998 Here and There Between South Asias: New Writing from Canada and India
Table of Contents
|
Ashok Mathur |
Preface |
|
Mahasweta Devi |
An Outsider and an Insider at the Same Time |
|
Sadhu Binning |
Three Poems |
|
Kavita Panjabi |
Rani di |
|
Shani Mootoo |
The Predicament of Or |
|
Chila Kumari Burman |
Hard Times: Dad and Me in the Kitchen; Dad on Ship Coming to Britain |
|
Ranjit Hoskote |
A Sort of Archaeology and Six Poems |
|
Roshini Kempadoo |
A Bit of the Other |
|
Arun Mukherjee |
The Challenge of Reading Dalit Literature |
|
Chittrovanu Mazumdar |
Improvisations |
|
Phinder Dulai |
from "Ramu's Colonial Passage" |
|
Swapan Chakravorty |
If This Be the Last Song |
|
Ven Begamudré |
Benny Hits the Big Four-Oh, Or, Aren't You Rather Young to Be Writing Your Memoirs? |
|
Kevin D'Souza |
from "I am Doing Fine, Canada is Lovely" |
|
Eugene Datta |
Four Poems |
|
Lakshmi Gill |
But |
|
Vasudha Joshi |
For Maya (A Film) |
|
Yasmin Ladha |
And I Will Not Let You Down Like Heer |
|
Karma Clarke-Davis |
Corner Buddha-Karma, Om... The Walk of a Nomad |
|
Rana Bose |
Palti (From a Novel in Progress) |
|
Shelly Bahl |
Untitled |
|
Uma Parameswaran |
Two Elegies |
|
Anandjit Ray |
Visual Art |
|
Rajinderpal S. Pal |
Independence |
|
Roshini Kempadoo |
War of Position #4 |
|
Bhaswati Chakravorty |
Five Minutes |
|
Roshini Kempadoo |
ECU: European Currency Unfolds |
|
Ian Iqbal Rashid |
The Memory of Fingertips |
|
Chapal Bhaduri |
Miracle at Midnight |
|
Shamina Senaratne |
Lalita's Lanka |
|
Gulan Kripalani |
"My Method of Film-making is a Diary Approach" - A Conversation with Anand Patwardhan |
|
Himani Bannerji |
The Colour of Freedom |
|
Anjum Katyal |
Four Poems |
|
Shelly Bahl |
Portrait of a Princess |